Sunday, April 26, 2020
What to Do With Car Topics For Research Paper?
What to Do With Car Topics For Research Paper?Research papers and the other car topics for research paper should include the benefits that you have accrued from your car. You must also include its maintenance requirements in your research paper to make it more interesting enough to be ranked. It will become easier for you to get a top position when you make a research paper on this car topic.The importance of your car is being overlooked by most of the students who are taking up the topic of car for their research paper. You can claim that the number of students is being hindered by the current economic condition. If you are one of those who can afford it, you can afford to take up the whole research subject seriously because the job market is very promising at the moment.It is better to avoid those car topics for research paper that has already been prepared by others. It will be better if you complete the research before it gets postponed because you would have a better chance of c oming out on top.So many people have already made the mistake of preparing some car topics for research paper with the help of which they got rejected from their school. This is because they did not research properly on the subject. The trick to avoid such situation is to study on the subject for a while and you should keep an eye on what you are doing.However, if you think that these car topics for research paper are boring, you may just study the car at your own pace. There are times when you just want to read the information in the newspaper. When you read something, you need to absorb all the important information that will make your research paper impressive. You do not need to let the car talk on your shoulder; just be there with it as it goes through its routine.The car topic for research paper is one of the vital things that you need to understand well. Once you will be able to understand the car, then you can also know the future needs of the car and will be able to include them in your research paper to make it more interesting.It is necessary that you come up with a few car topics for research paper to make the task easy for you. It will be better if you know how to prepare a research paper on this subject and make it interesting. The right research paper on the car topics for research paper will be made so that you will definitely be able to land the top position.
How Important Is A Comparative And Contrast Essay Sample?
How Important Is A Comparative And Contrast Essay Sample?If you are an English major, then a comparative and contrast essay sample is essential for your academic success. If you are a student of statistics, a comparative and contrast essay sample is important for you to prepare your application for entrance in professional schools as well as in college entrance exams.First of all, both subjects will show your capabilities to learn the subject and think deeply on the subject. They will show your ability to integrate both texts in a coherent way. Students who took a comparative and contrast essay sample are able to improve their teaching and learning skills. They learn about concepts like structure, logical reasoning, language and reading comprehension that can benefit them in the future.Unlike a routine essay, a comparative and contrast essay sample will reveal your reasoning and ability to think analytically and creatively. Even if you have learned the subject well in a single semest er or even in a single year, when you are required to write a competitive essay, this kind of essay will help you expand your knowledge. It will let you identify your weaknesses and strengths in the subject.Since a regular essay usually has some vocabulary or rhetorical questions, you might have difficulty writing a comparative and contrast essay sample. However, since it involves more analysis and logic, you will learn how to write the most effective and creative essay possible. Many students have finished their studies by publishing their papers based on a comparative and contrast essay sample.A variety of organizations and teaching staffs encourage students to use these samples in their papers and essays. However, it is still better to write the paper in English first and then incorporate your foreign language skills or your critical reading and writing skills into your paper before you start writing in your foreign language skills.The sample is not just an essay but also a train ing program for students that can be used in the same way to teach students different disciplines. Once the student has understood what the author wanted to convey through the essay, the students will be more motivated to learn more about their subject to satisfy the expectations of the essay.Besides that, since these essay samples are original, students can start learning about the English language while they are having fun while they are writing it. They can also enhance their writing skills so that they will be ready to compete with other students in the future.
Wednesday, April 22, 2020
The Comparison Between the Two Different International Editions of Vogue Magazine
Due to the ongoing process of Globalization, the contents of the most popular media-products are now becoming increasingly uniformed. This simply could not be otherwise, because the earlier mentioned process presupposes standardization. In its turn, the latter allows companies to substantially increase the extent of their commercial effectiveness.Advertising We will write a custom research paper sample on The Comparison Between the Two Different International Editions of Vogue Magazine specifically for you for only $16.05 $11/page Learn More As Vrontis, Thrassou and Lamprianou pointed out: ââ¬Å"The experiences of a growing number of multinational companies suggest that there are potential gains to be obtained by standardizing marketing practicesâ⬠(480). At the same time, however, it is now becoming increasingly clear to marketing managers that, in order for a particular media-product to appeal to the targeted audience, it must be psychologically attuned to how the audience members tend to perceive the surrounding socio-cultural reality. This creates objective preconditions for the media-productsââ¬â¢ content to be semiotically consistent with what happened the specifics of an ethno-cultural affiliation, on the part of potential consumers. After all, todayââ¬â¢s psychologists are thoroughly aware of the fact that it is namely the particulars of how one positions itself, in the ethno-cultural sense of this word, which defines the concerned individualââ¬â¢s existential mode more than anything else does. Therefore, it does not come as a particular surprise that, as of today, marketing strategies utilized by the owners of transnational media-corporations in different parts of the world, do take into consideration the discursively relevant aspects of the targeted audiencesââ¬â¢ cultural uniqueness. In this respect, we can only agree with Sinclair and Wilken, who noted that: ââ¬Å"While the economic logic of globaliza tion might impel global marketers to seek the theoretical advantages of standardization, experience with the realities of linguistic and other cultural differences has obliged them to go some distance towards the ââ¬Ëglocalizationââ¬â¢ of their marketing campaignsâ⬠(147). In this paper, I will explore the validity of the earlier suggestion at length, while analyzing the discursive significance of the visual and textual messages, explicitly/implicitly conveyed by the covers of the UK and the US editions of Vogue Magazine (February, 2010). The most easily identified difference between the two covers is that, whereas, the US cover depicts a clearly Caucasian model (Jessica Biel), the UK cover depicts a model (Cheryl Cole) that can be best identified as a someone who has been born in the multiracial family. In fact, on the magazineââ¬â¢s cover, the latter appears to be at least partially Pakistani, in the ethno-cultural sense of this word.Advertising Looking for rese arch paper on communications media? Let's see if we can help you! Get your first paper with 15% OFF Learn More In its turn, this can be explained by the specifics of how the policy of multiculturalism is being implemented in the US, on the one hand, and in the UK, on the other. Whereas, in the US, the policy of the multiculturalism enjoys a rather semi-official status, in Britain it is in fact being enforced upon citizens. Moreover, whereas, in the U.S., the representatives of racial minorities do not exercise enough political influence, in order to be able to directly affect the process of the countryââ¬â¢s domestic and foreign policies being designed and implemented, this is far from being the case in the UK. After all, it does not represent much of a secret that, as of today, a growing number of British socially prominent intellectuals, as well as religious figures, does support the adoption of the Islamic Sharia Law, as the British jurisprudenceââ¬â¢s integral pa rt (Rodgers and Lindsey 8). This, of course, suggests that, due to the essence of demographic dynamics within the British society, the UK is on the path of becoming increasingly ââ¬Ëtraditionalââ¬â¢ country, where more and more citizens are willing to affiliate themselves with the values of the religion-based morality. Partially, this explains the apparent dichotomy between the postures of the depicted models on the covers of the US and the UK editions of Vogue. For example, the cover-photo of Jessica Biel implies that the depicted model is an intellectually liberated woman, who is thoroughly comfortable with taking an active stance in life. This is because, as it can be seen on the cover, she is being represented in the manner that stresses out her emotional comfortableness with what happened to be her existential self-identity of a person, unaffected by the conventions of the ââ¬Ëtraditionalââ¬â¢ morality. These conventions presuppose that women should present themselv es as essentially timid creatures, who can only realize their full potential while in the relationship with men. Yet, while understanding perfectly well the sheer power of her feminine charms, Biel does not seem to be willing to fetishize them, as if she wanted to say: ââ¬Å"I am an independent woman and I am proud to be what I amâ⬠. This is the reason why Bielââ¬â¢s image conveys the subtle message of ââ¬Ëliberationââ¬â¢ ââ¬â the woman in question clearly thinks that there so much more to her individuality than merely her good looks.Advertising We will write a custom research paper sample on The Comparison Between the Two Different International Editions of Vogue Magazine specifically for you for only $16.05 $11/page Learn More The same, however, cannot be said about the photographic image of Cheryl Cole, featured on the cover of the UK edition of Vogue. After all, there can be only a few doubts as to the fact that the manner in whic h she has been photographed, implies her affiliation with the traditional virtues of womanhood, commonly associated with the notions of timidness, passiveness and shyness. The very defensive manner, in which Cole holds her hands (as if she wanted to protect its innate existential essence), suggests that on a subconscious level, she is aware of her own fragility, as an individual. At the same time, however, she appears to be simultaneously aware of the fact that it is specifically men, who can help her to realize the full extent of its existential potential ââ¬â hence, the strongly defined spirit of a sexual seductiveness, emanated by the UK cover of Vogue. In this respect, Coleââ¬â¢s cover-image does seem to be discursively consistent with Weiningerââ¬â¢s suggestion that: ââ¬Å"A woman does not value herself by the constancy and freedom of her personalityâ⬠¦ (she) can only value herself at the rate of the man who has fixed his choice on herâ⬠(123). It is needles s to mention, of course, that there are male-chauvinistic overtones to the above quoted suggestion. Yet, they resonate perfectly well with how monotheistic religions (such as Christianity and Islam) used to treat women. Given the fact that, as it was pointed out earlier, Britain is on the way of becoming nothing less of a quasi-Islamic state, it makes a logical sense for the UK-based publishers of Vogue to strive to appeal to the religion-driven aesthetic tastes of British Muslims, which will soon attain the status of the countryââ¬â¢s actual ethic majority. The legitimacy of this idea can also be illustrated, in regards to what appear to be the qualitative aspects of how both models are dressed. For example, as it can be seen on the US cover of Vogue, Biel wears a manââ¬â¢s shirt and a denim-costume. In its turn, this signifies even further the depicted modelââ¬â¢s emotional comfortableness with the idea that women are not restricted to wearing only ââ¬Ëgender-appropria teââ¬â¢ attires. The reason for this is simple ââ¬â denim-fabrics, in general, and jeans, in particular, have traditionally been associated with the masculine virtue of industriousness (Woodward and Miller 7). Therefore, by willing to wear clothes made out of denim, women unconsciously exhibit their subliminal desire to cease being subjected to a patriarchal oppression, the important element of which has always been prescribing the representatives of a ââ¬Ëweak sexââ¬â¢ to refrain from putting on these kind of clothes. Despite the fact that, as we have noted earlier, the religions of Christianity and Islam are equally oppressive towards women, in the US, the majority of Christians cannot be referred as ââ¬Ëtrue believersââ¬â¢, in the classical sense of this word. One of the reasons for that that, as of today, the religion of Christianity in Western countries has ceased affecting peopleââ¬â¢s lives de facto, because the sheer fallaciousness of this religionâ⬠â¢s dogmas is clear to even moderately bright Whites.Advertising Looking for research paper on communications media? Let's see if we can help you! Get your first paper with 15% OFF Learn More One of the reasons for this is that, due to its outdatedness, the Christian code of behavioral ethics no longer correlates with what happened to be the cognitive aspirations of modern people (Rawls 95).à Because in the US, fundamental Christians consist of intellectually marginalized outcasts, they are not in the position to apply any pressure upon those women who refuse to share their male-chauvinistic religious nonsense. The same can be said about Islamic fundamentalists in the US ââ¬â the FBI is keeping them on a short leash. This is why, Bielââ¬â¢s decision to appear on the cover of Vogue, while wearing a denim-outfit, appears fully justified ââ¬â she never had a reason to be trying to appease conservatively minded citizens, in the first place. In Britain, the situation in this respect is quite different. Because this country can no longer be considered thoroughly secularized, non-religious British citizens are now being unofficially required to refrain from positio ning themselves as intellectually liberated individuals, as the growing population of Muslims in this country may find it offensive. The validity of this statement can be well illustrated in regards to the recent incident of the British soldier Lee Rigby having been decapitated on the streets of London by the Muslim believer Michael Adebolajo in broad daylight. In the aftermath, high-ranking officials from the British army advised British soldiers not to wear a uniform, when they are off-duty, in order not to anger Muslims (Shiv 9). In my opinion, the earlier described socio-cultural situation in Britain partially explains the particulars of Coleââ¬â¢s appearance on the cover of the UK edition of Vogue. After all, as it can be well seen on it, even though she wears a clearly feminine yellow dress, due to being ââ¬Ëloseââ¬â¢, it effectively conceals the modelââ¬â¢s bodily curves. Yet, this is exactly what Muslim womenââ¬â¢s traditional dresses are supposed to do, so th at when looking at women in these dresses, men do not get overly excited and consequently refrain from considering to commit the sin of adultery.à Nevertheless, it is not only the visual subtleties of the discussed Vogue-covers that hint at the specifics of the cultural climate in the affiliated countries, but the textual ones, as well. For example, in the left upper corner of the US cover, we can read: ââ¬Å"Not in the mood? The quest for a female Viagraâ⬠. It is needless to mention, of course, that the pharmaceutical term ââ¬ËViagraââ¬â¢ has the clearly defined undertones of masculinity, as the drug in question was designed specifically for enhancing menââ¬â¢s sexual potency. In its turn, the notion of male sexuality cannot be discussed outside of how men go about adopting a particularly active stance, while looking for female sex-partners and having sexual intercourses with them. Therefore, the combination of the words ââ¬Ëfemaleââ¬â¢ and ââ¬ËViagraâ⬠⢠implies that women who are cognitively comfortable with it, do not necessarily think that passivity/submissiveness accounts for the integral element of their lifestyles ââ¬â quite on the contrary. Given the fact that ever since the time of its founding, the US remained an essentially secularized state (the countryââ¬â¢s Constitution proclaims the separation between Church and State), it is not surprising that in this country, even moderately religious women do support the idea that it is fully appropriate, on their part, to explore their sexuality actively. In this respect, the situation in the UK is quite different. After all, the UK Constitution openly states that Protestantism is even today considered the countryââ¬â¢s state-religion (Madeley 275). Partially, this explains why, as compared to what it happened to be the case with American women, British women have traditionally been deemed much more ââ¬Ëclassyââ¬â¢ ââ¬â that is, more passive and shy in thei r relationships with men. The latter presupposes that, as compared to American women, British women are much merely likely to overlook the discursively derogative sounding of a number of terms, to which they are being exposed, such as ââ¬Ëchicââ¬â¢, for example. Predictably enough, one of the topics, advertised on the cover of the UK edition of Vogue, features the word ââ¬Ëchicââ¬â¢ rather prominently: ââ¬Å"Office chic. New weekday wardrobeâ⬠. Even though that this term means ââ¬Ëstyleââ¬â¢, it clearly resonates with the word ââ¬Ëchickââ¬â¢, which is a slang-word that derived out of the notion of ââ¬Ëchickenââ¬â¢ ââ¬â hence, degrading women, as being somewhat less human. There is, however, even more to it ââ¬â because the mentioned topic features the word ââ¬Ëchicââ¬â¢ in conjunction with the word ââ¬Ëweekdayââ¬â¢, the combination of these two words implies that the physiological specifics of womenââ¬â¢s gender-affiliation, makes them less adequate, in the professional sense of this word. After all, this topic implicitly suggests that, even when addressing their professional duties (during the course of weekdays), women never cease remaining solely concerned with the matter of their physical appearance.à Essentially the same line of argumentation can be used, when it comes to discussing the discursive significance of other topics, mentioned on the covers of the UK and the US editions of Vogue. For example, one of the topics on the cover of the US edition of this magazine state: ââ¬Å"Clothing to borrow from your boyfriendâ⬠. Apparently, it never occurred to those who came up with this topic that there could be anything wrong about women wearing menââ¬â¢s clothes. The reason for this is quite apparent ââ¬â the very secularized realities of a post-industrial living in America naturally predispose women to think of the extent of a particular clothing-itemââ¬â¢s appropriateness, as such, that reflects its functional subtleties. Why not to wear menââ¬â¢s shirts or trousers, if the circumstances call for it?à The same thought, however, would probably never occur to British women. This is because, being traditionally minded, they tend to deal with life-challenges indirectly ââ¬â that is, they tend to rely upon men, when it comes to addressing these challenges. Therefore, as opposed to what it happened to be the case with their rationally minded American counterparts, the majority of British women believes that it is namely their feminine charms, which allow them to advance in life more than anything else does. Hence, the meaning of the question: ââ¬Å"Can you live without mascara?â⬠, featured on the cover of the UK edition of Vogue ââ¬â the fact that this question is clearly rhetorical, suggests that it is quite impossible for women to enjoy living, while sparred of the opportunity to apply a makeup to their faces. Apparently, the articleââ¬â¢s a uthor was perfectly aware of what happened to the innermost essence of British womenââ¬â¢s subliminal anxieties, in this respect. Given what has been said earlier in the paper, these do appear to be dialectically predetermined.à There is another topic, featured on the cover of the US edition of Vogue, which can be discussed, as such that reflects American womenââ¬â¢s tendency to indulge in pursuits, which have been traditionally been ââ¬Ëassignedââ¬â¢ to men: ââ¬Å"Close encounter. The tale of an almost adulteressâ⬠. This topic suggests that the publishers of the US edition of Vogue do realize what accounts for the actual nature of female sexuality, as such that is being physiologically rather than socially defined. This is because the suggestion that it is indeed possible for women to enter into the adulterous relationship with men implies that, contrary to what many women themselves tend to think, their sexual desires are being just as strong, as compared to th e ones of men. What it means is that a particular womanââ¬â¢s ability to enjoy sex as much as she wants, does not solely depend on whether she happened to possess good looks or not, but also on whether she is committed enough to end up in bed with the man she covets (Musser 23). It is needless to mention, of course, that this subtly conveyed suggestion parts away with the conventions of the religion-based patriarchal morality, which objectualize women. Therefore, we can well speculate that this topicââ¬â¢s prominent display on the US cover of Vogue signifies the validity of the idea that the American society is indeed more progressive than the British one ââ¬â at least in respect of how it treats women. Had this not been the case, the UK cover of Vogue would not feature topics that do advocate the legitimacy of womenââ¬â¢s willingness to objectualize themselves, as something fully appropriate. Yet, this is clearly not the case. For example, the topic seen in the UK cove rââ¬â¢s bottom right corner, states: ââ¬Å"What it takes to get a supermodelââ¬â¢s body?â⬠. This topic implies both: The measure of a particular womanââ¬â¢s de facto worthiness is solely concerned with her physical looks It is entirely appropriate for women to strive to be as thin, as possible, so that they would be in a position to successfully marry off, and to consequently attain the dubious happiness of pursuing the lifestyle of a pretty but brainless ââ¬Ëdollââ¬â¢ ââ¬â at the expense of being unable to give birth to healthy children. After all, it does not represent any secret for physicians that unnaturally skinny women (such as supermodels) do experience troubles at childbirth. Yet, male-chauvinistic societies could not care less about womenââ¬â¢s physical well-being, but only about whether women can serve men as sexual toys, which is why in these societies; women are encouraged to take part in the ââ¬Ëdiscourse of thinnessââ¬â¢ (Neff 10). Therefore, the earlier mentioned topic can well serve as an indication of the fact that, despite its formal affiliation with the dogmas of political correctness, the British society remains rather oppressive towards women.à Quite clearly, this is not being the case in America, where women are being encouraged to explore their existential uniqueness, without paying too much attention to what happened to their actual physical shape. As another topic, featured on the US cover (ââ¬ËThe refreshingly real Jessica Bielââ¬â¢) suggests, it is namely the depicted modelââ¬â¢s intellectual open-mindedness, reflected by the womanââ¬â¢s comfortableness with being who she is, which deserved her the right to appear in this particular edition of Vogue. It is understood, of course, that Biel is indeed sexy. However, what adds more than anything else does to the aura of sexiness, emanated by the model, is that, as it was mentioned earlier, her very posture implies that she has no psychol ogical complexes, whatsoever, in regards to being a thoroughly modern woman. In the UK edition of Vogue, however, the notion of modernity appears subtly ostracized, as one of the featured topics does encourage readers to adopt a cyclic outlook on what accounts for the essence of historical dynamics: ââ¬Å"The return of 60ââ¬â¢s glamourâ⬠.à Even though that as a ââ¬Ëthing in itselfââ¬â¢, this particular topic is best referred to as ideologically neutral, there are strongly defined discursive connotations to it, because it implies that it is possible for the ââ¬Ëpastââ¬â¢ to return. Because there are indeed a number of good reasons to believe that the British society is undergoing the initial phase of the process of deindustrialization/clericalization (induced by the ââ¬Ëinvasionââ¬â¢ of Muslims), we can refer to the mentioned topic, as such that is being metaphysically consistent with the societyââ¬â¢s ongoing qualitative transformation. As it was stat ed in the Introduction, in regards to the covers of the UK and the US editions of Vogue, there is indeed a good rationale in believing that Globalization does result in the standardization of the media productsââ¬â¢ content. The very laws of a historical progress predetermine this state of affairs. Nevertheless, the culturally defined specifics of how the members of targeted audiences tend to perceive the surrounding reality, do affect this contentââ¬â¢s societal implications. Therefore, even though that the US and the UK based editions of Vogue do feature themes and motifs that the magazineââ¬â¢s publishers consider being potentially appealing to women, the discursive significance the covered topics cannot be discussed outside of what account for the specifics of the socio-cultural climate in America and Britain. This once again exposes the fallaciousness of those sociological theories that treat humanity in terms of a homogeneous compound, consisted of the representatives of Homo Sapiens species. Apparently, oneââ¬â¢s ethno-cultural affiliation does affect the concerned individualââ¬â¢s cognitive inclinations rather substantially. I believe that this conclusion is fully consistent with the paperââ¬â¢s initial thesis. Works Cited Madeley, John. ââ¬Å"Unequally Yoked: The Antinomies of Church-State Separation inà Europe and the USA.â⬠European Political Science 8.3 (2009): 273-288. Print. Musser, Jamilla. ââ¬Å"On the Orgasm of the Species: Female Sexuality, Science andà Sexual Difference.â⬠Feminist Review 102 (2012): 1-20. Print. Neff, Jack. ââ¬Å"Study: Stick to Skinny Models for Fat Profits.â⬠Advertising Age 79.30à (2008): 4-28. Print. Rawls, Anne. Epistemology and Practice: Durkheimââ¬â¢s ââ¬ËThe Elementary Forms ofà Religious Lifeââ¬â¢. Cambridge: Cambridge University Press, 2004. Print. Rodgers, Melissa and Cheryl Lindsey. ââ¬Å"United Kingdom: Archbishop ofà Canterbury Advocates Sharia for Britai n.â⬠Off Our Backs 37.4 (2007): 8-9. Print. Shiv, Malik. ââ¬Å"Woolwich Aftermath: ââ¬ËI am a soldier,ââ¬â¢ Adebolajo Tells Old Baileyà Hearing.â⬠The Guardian 6 Jun. 2013: 9. Print. Sinclair, John and Rowan Wilken. ââ¬Å"Strategic Regionalization in Marketingà Campaigns: Beyond the Standardization/Glocalization Debate.â⬠Continuum: Journal of Media Cultural Studies 23.2 (2009): 147-157. Print. Vrontis, Demetris; Thrassou, Alkis and Iasonas Lamprianou. ââ¬Å"Internationalà à Marketing Adaptation versus Standardization of Multinational Companies.â⬠International Marketing Review 26.4/5 (2009): 477-500. Print. Weininger, Otto 1906, Sex Character. PDF file. Web. Woodward, Sophie and Daniel.Miller. ââ¬Å"Unraveling Denim: Introduction.â⬠Textile:à The Journal of Cloth Culture 9.1 (2011): 6-10. Print. This research paper on The Comparison Between the Two Different International Editions of Vogue Magazine was written and submitted by user Felipe Nash to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.
Monday, March 16, 2020
A Complete Guide on How to Write an Art Essay Competently
A Complete Guide on How to Write an Art Essay Competently Understanding how to write an essay, which is a formal investigation of some topics, in the field of art is an essential skill that can be learned in an art course. Students of different specializations ranging from the art history study to the contemporary art courses can strengthen this skill by writing many art essays and research papers. Writing a university essay, particularly an art essay, requires a lot of thoughtful consideration of some reliable sources. Accordingly, starting the essay the day before it is due leaves you the limited time to for researching, reasoning, structuring and writing the composition itself. According to the Guardian, essay writing is the art as well. Consequently, find more time to carry out an in-depth analysis beforehand to prepare a clear outline of the work with the reasoned arguments. For that purpose, you need to review all the literature directly linked to the subject of the essay. Now, your subject matter is the art that is too broad to study . In general, an essay is a short paper in which the writer attempts to cover a particular topic keeping in mind what has been learned about it and what can be explored more profoundly. It also can be characterized as an effort to demonstrate a thought process on paper. An art essay is a kind of work that analyzes the aspects of artworks, such as sculpture, painting, music, and architecture. These essays can be used with the aim to investigate the visual elements of the artworks. For instance, an art essay may examine the optical components and creative approaches used in particular pieces of art. Accordingly, the primary purpose of art essay writing is to compose the groundwork for students to tap into the artistic side and sharply draw a view of a particular artwork. What Art Essay Topics Can You Write on? Similar to other disciplines, there is a broad range of topics that can be analyzed in an art essay. However, when coming up with a good art essay writing topic, you should follow some essential tips. Generally, if you want to discover how to write an art essay, you should address the work in much the same way you compose any other paper assigned to you at a high school or college. First of all, you should stay focused on the subject of an essay, which involves forming a substantial thesis sentence. Accordingly, you should pick a specific frame of work, and as usual, use proper grammar and organization, including drafting clear and coherent statements. Some topics have been already worked out by our experts in art: Philosophy of Art Through the Ages: How Does It Change? How Do the Artists of Different Epochs Depict the World of Beauty and Aesthetics? What Questions Art Historians Should Answer When Seeing an Artwork? What Makes an Artwork Recognizable: An Artistic Style or Message an Artist Send? How Does the History Influence the Art Movements: What Historical Events Are the Most Significant? To write an art essay, you should first examine the question and be able to explain what it is required of you, whether to prove, describe or analyze. For instance, the topic can be Why Is Pablo Picasso Thought to Be a Prominent Artist? To answer this essay question, you should examine Pablo Picassos artworks, the writing of authoritative scholars regarding the topic. In the given topic, you are asked to prove the fact that Pablo Picasso is a prominent artist. How to Choose Essay Topics The term ââ¬Å"artâ⬠classifies different expressions and activities of the artists. Therefore, an art essay can address the works of art as well as present an investigation concerning the art history and particular art movement. Some art educators require the students to visit an art museum to analyze some artworks. Thus, you can use the mentioned idea and visit the local museum to investigate the specific artwork or particular exhibition. At the same time, one of the most popular subject that can be chosen for an art essay is an artist. You can write an essay regarding an artist from the particular movement. Accordingly, you can analyze the artists background and impact on the entire art discourse. You can also determine how past, current and future generations understand the works of that artist. The artist that is pioneering in some sphere can be discussed in an art essay as well. Thus, you can choose the pioneering artist and address such issues as what inspired the artist and what historical movements were pivotal. The essay can discuss the specific features of the artworks such as the authors technique and use of color or lines. You can write an essay regarding an author that inspires you. Choose a figure that is encouraging to you. In an essay, reveal why the works of that artist are so exciting to you. Consider how you regard that author and his or her artworks. You can choose a comparison essay and compare, for instance, two artworks. You may focus on two artists or compare different artworks of one artist. This theme will require in-depth research as there should be reviewed more than one piece of art. Handy Tips on Art Essay Writing Having discovered some key tips for writing an art essay, you will also need to follow the practices utilized in the art discourse. There are some suggestions you may consider when writing an art essay. First of all, the artwork should not be just described, since frequently it is required to compose a comprehensive analysis. One familiar claim educators make is that the students often depict the artwork without taking any point of the argument which they are supposed to make. Thus, you always need to estimate the ultimate goal of writing. Then, decide how to draw the details of the report arranging them to represent both the artwork and analysis itself. In that case, one of the constructions to be used is to create the paper where the original idea or topic sentence is found at the beginning and proved at the end of the work. Accordingly, the starting point of an art essay is the research phase. At that stage, you should gain a perception of the subject and be able to examine the arguments both for and against the point. An essay should start with an opening paragraph with the topic sentence. It is important to ensure that all the details are consistent and chosen with attention. All the statements made in an essay should support the central point you are going to address in a composition. Thus, in the early steps of writing, it is required to create an outline to plan the development of the essay part. Write down all the ideas and data discovered while investigating the topic. At the investigative stage of writing, you also should establish the claims for and against the reasons you intend to explain in the art essay. Thus, you should examine the structure of the paper before writing. For instance, if you want to present a specific art movement from a particular historical period, it is better to apply a chronological format. Nonetheless, if an essay is addressing the graphic elements recognized in a piece of art, you should use the spatial form of writing. Only Reliable Sources to Use in an Art Essay The reference list can include books, articles from scholarly journals, periodical publications, and the internet sources as well only if they are reliable. Nonetheless, the references should be credible and relevant to the topic. Thus, the following part of preparing an art essay is to outline and analyze the information sources. Once the analysis is composed, you must examine each of the applications made and determine if they will justify the thesis statement of the essay. This is an arguable point. To support or oppose a claim, you should use the credible data to strengthen the central claim. When examining a source, you should remember that some works can be biased or untrustworthy. So use your analytical skills to recognize the inappropriateness of different sources according to the following points: Usage of the out-of-date sources, No citations of sources and no references to sources, Usage of sources that arenââ¬â¢t properly formatted, etc. The aforementioned requires analytical knowledge to make the essay more authentic. Remember the bibliography section of your essay should contain a list of the academic works you have examined, used while preparing a composition. A bibliography should be arranged in the alphabetical order at the end of your art essay. The Ultimate Structure of an Art Essay After all the sources have been reviewed, you should define where you stand and, therefore, how to prove your argument. A successful essay writer is one who takes a position that can be supported by the credible sources. Aforementioned involves a broad range of research, which maintains the position the writer has accepted. This position should be presented explicitly and accurately. Hence, you should compose a standpoint. In that case, the most appropriate way to start writing an essay is to state some questions to be examined and answered in the composition. For you to do those mentioned above, it is required to make a comprehensive investigation to know exactly what research questions are relevant for an essay topic. At that stage, the research will take a lot of time and persistence to develop a coherent structure of an art essay that commonly has: Introduction with the thesis statement; Main body of a composition with arguments; Conclusion. The Excellent Essay Introduction Is a Special Tool to Engage the Reader You should begin your own artwork with the clear opening statements to guide the reader through an essay. As was mentioned above, the outline of an art essay is one of the most critical elements as it is the basis of the work. If it is not done, the composition may crumble without making any sense of writing. Once you develop a thesis statement, the outline should be organized to maintain and expand your position. The introduction is the beginning part of the essay. It is usually written alongside the summing-up part. Therefore, once these claims are asserted, it is a time to start working on the body paragraphs and the conclusion. An excellent art essay needs an introduction to catch the readerââ¬â¢s attention immediately. In that case, the essential advice to you is to state your position in the opening part. When the writer reveals the central claim, some supporting sub positions should be shown as well. It is essential to make the introduction precise and with the limited exposition to attract the reader. The opening paragraph must be connected with all the statements given in the essay. Thus, all sections in the art essay are vital. The introduction explains what type of work is going to be performed. The introduction should also give some hints regarding how you are going to tackle a research question. The Well-Developed Main Body Is Formula for Success in Writing You surely know that writing the main body of an art essay is a critical stage of the whole composition. The paragraphs within the body of an art essay should be built-in. Accordingly, the most appropriate way of structuring the body sections is to adjust your leading position with the significant details of the essay topic. You can state it in the first sentence of the first body section or the last sentence of the introduction. The ideas must be organized in the right way: The paragraphs should be formed as an organized system of knowledge; Concepts should support one another in a rational order so that the entire text looks coherent; Each sentence in the sections should support what you have already declared; The main paragraphs should be relevant to a topic and connected properly with some transition words. The Logical Essay Conclusion You Need to Arrive at The ending part of an art essay is the summary section that repeats the central position of the whole composition and some supporting arguments. Note that the conclusion should be short and logical. So consider it as the last opportunity to convince the readers that the data presented in the work is valid and your arguments are reliable. There is a direct connection between every part of your essay. However, the introduction and the conclusion are those parts that play a special role in your essay. The former introduces an essay topic with its narrow context and main focus on essay questions, the latter gives a sense of logical closure of essay writing. Both are aimed at keeping your readersââ¬â¢ interest to plunge into your art essay meaning. Pay attention that a conclusion is a section of the essay where the writer goes beyond any explanation. Youââ¬â¢d rather offer your own judgment that trying to include some new details. Thus, this part of an art essay should be well proofread to avoid repetition of phrases. Any comments you make regarding the work should be based on the examination provided in the body of the composition. In this section, you should explain how and why the essential components and concepts of art employed by the artist formulate meaning. The facts regarding the work should support the discussion of the content and not the reverse cause new questions in the readerââ¬â¢s mind. Some Proofreading Tips Applied by Our Expert Academic Writers To make an art essay much more appealing, you can add some vivid examples to the main body of the composition. Aside from this, there are some essential features that you need to keep track of, like the application of proper grammar. Generally speaking, in any piece of academic writing, you should avoid using a personal tone in form of pronouns ââ¬Å"Iâ⬠, ââ¬Å"meâ⬠or ââ¬Å"myâ⬠. Donââ¬â¢t undermine the formal style of academic papers the list of which your art essay is also included. It does not mean that your opinion as a researcher is not necessary. It just means that any personal idea must be asserted in a scholarly manner. Thus, you should explain the personal acknowledgment of the artwork, not an impression of it. To do it correctly, you should do the following: Avoid all possible errors in grammar, syntax, punctuation, spelling, Leave out the frequently used words/phrases, Keep sentences short and simple, Use well-defined arguments. In fact, it will be easier for the reader to assume the essence of your art essay if essay content correspond to the highest editorial standards. For that reason, donââ¬â¢t forget to check for the logical flow of your thoughts, concise and definite judgments. What is more, you should make sure that your art essay is plagiarism free and all the other works are appropriately cited according to the necessary formatting styles (APA, MLA or Harvard). All in all, before finishing to write an art essay, you should review it several times to make sure no mistake wonââ¬â¢t spoil your reputation as a good art essay writer.
Saturday, February 29, 2020
Betrayal and Loyalty
Throughout the play, Iago manipulates the other characters into betraying one another so that he can get his ultimate betrayal on Othello. Shakespeare uses Iago as the main portrayer of betrayal throughout the entire play. He betrays all the other characters, but his main focus is on Othello. Despite that, he ends up betraying all the people closest to him. Iagoââ¬â¢s betrayal starts off from the first scene page of the play right until the end. The audience learns Iagoââ¬â¢s motive through his monologue: ââ¬Å"Thus do I ever make my fool my pursel hate the moor, and it is thought abroad that ââ¬Ëtwixt my sheetsââ¬â¢ has done my office. I know not ifââ¬â¢t be true, but I, for mere suspicion in that kind will do as if for surety. â⬠Iago suspects that Othello has had an affair with his wife. However, Shakespeare makes Iagoââ¬â¢s motif very unclear; therefore, it can be argued that this is Iagoââ¬â¢s excuse and in actual fact he has no reason other than he simply hates Othello. Iago wants to destroy Othello because Othello promoted Casio as chief lieutenant instead of him, which is another reason why Iago wants to destroy him. Iago is one of Shakespeareââ¬â¢s most complex villains. Initially, we see Iagoââ¬â¢s character as pure evil, yet later we see him as a completely amoral person. Iago does not push aside his conscience to commit his evil plans, he simply lacks a conscience to begin with. Through Iago, Shakespeare shows us a character that acts against his reputation and betrays all this friends and loved ones. Through some careful thought out words and actions, Iago is able to manipulate others to do things in a way that benefits him and moves him closer to his ultimate goal. He is the main driving force of the play, pushing Othello and everyone towards their tragic end. Iago is smart. He is an expert judge of people as well as their character and uses this to his advantage. Iago is also quick on his feet, making him able to improvise when something unexpected occurs. Being as smart as he is, Iago is quick to recognize the advantages of trust and uses it as a tool to forward his main purpose. Throughout the story he is commonly known as the ââ¬Å"honest Iagoâ⬠. He even says himself, ââ¬Å" I am an honest manâ⬠. Trust is a very powerful emotion that is easily betrayed. Iago is a master of betrayal. He slowly poisons peopleââ¬â¢s thoughts, creating ideas in their heads without risking himself. Iago is capable of anything, not even the brave soldier Othello is safe from this villain. Othello holds Iago to be his closest friend and advisor. He believes Iago to be a person, ââ¬Å"of exceeding honest, who knows all qualities with learned spirit of human dealingsâ⬠. Yes, he does know about human dealings, but he is not the honest man he appears to be. He uses Othelloââ¬â¢s trust in him to eventually turn Othello into a man no better than himself. Othello is introduced to us in the first scene of the play in a negative light, when Iago and Rodrigo refer to him using derogatory terms such as, ââ¬Å"The Moorâ⬠, ââ¬Å"the thick lipsâ⬠, ââ¬Å"an old black ramâ⬠and ââ¬Å"a Barbary horseâ⬠. Othello may be an outcast in Venice due to the color of his skin; however, he is a highly respected soldier. He is extremely skilled in his field and a loyal man; therefore, valuable to the state. Due to this, we soon learn of Othello as the noble man he is. Othello, however, has the ââ¬Å"tragic flawâ⬠. It is the internal imperfection in a hero that brings him down. His downfall becomes his own doing; he is no longer the victim of fate. The prejudice of those around him destroyed him, and they believed that, ââ¬Å"A black man is an unattractive creature, not quite human, and unworthy of loveâ⬠. Thinking this made him unable to believe that Desdemona could truly love him. This is why he believes Iago so easily when he convinces him Desdemona has had an affair. Othello betrays his wife by believing Iagoââ¬â¢s word over hers, this then leads him to his ultimate betrayal when he kills her at the end of the play. At this point he also shows his loyalty to her by killing himself, stating that he canââ¬â¢t live without her. The man we see at the end of the play is not the loyal man we meet in the beginning. Othello has let the ââ¬Å"green eyes monster of jealousyâ⬠turn him from a loyal soldier to a betrayer just like Iago. Desdemona is a lady of spirit and intelligence; she is the most direct, honest and loyal character of the play. She only betrays people to those to who she is loyal. Desdemona is a lady of few words, yet she makes sure every word counts to get her point across. In Desdemonaââ¬â¢s eyes, Othello is the hero of many exciting and dangerous adventures; he is the orphan who needs love. These are the reasons Desdemona had fallen in love with Othello, despite all the nasty remarks from fellow Venetian citizens. Her marriage has brought her position and happiness, so much that she finds it unbearable to think that her husband has turned against her. This numbness lasts until she sees that he actually intends to kill her. She then puts up a defense, insisting on her loyalty and innocence. In despair of losing his love, she still defends him from consequences of his actions, but he is past seeing the truth: that she has committed herself to his love, and without it she cannot live. Othello ends up killing his wife, in spite of her loyalty toward him till the very end. By the end of the play, all characters have lost their loyalty to each other from what Iago as done to make them feel betrayed. Desdemona is left lifeless in her room, Iago kills his wife Emilia, as she reveals that Desdemona has been falsely accused of adultery, and Othello kills himself rather than living with what he has done. Iago is the only survivor by the end of the play, which further justifies his intelligence. All the characters have reached their downfall and Iago is finally pleased. He has completed the ultimate betrayal.
Thursday, February 13, 2020
Describe the original position. why does Rawls thinks that it is a Essay
Describe the original position. why does Rawls thinks that it is a good device selecting principles of justiceHow does Nozick c - Essay Example The foundation of this principle is that everybody is takes up a position in the society as equal and free in relation to other members of the same society. The people therefore agree to jointly commit to the principles of social and political justice. This position, the original position, is distinguished from other social views by what Rawls terms as the ââ¬Å"veil of ignoranceâ⬠; an insurance policy that guarantees impartiality of ones judgment. This is done by depriving every member of the society all the knowledge of his or her unique and individual characteristics relative to the other members of the same society based on the historical and social characteristics of the said individual. They therefore operate from a common point of ignorance as to the circumstances and capacities of every member of that society (Rawls, 1999, p. 15). However, as to their knowledge of specific fundamental interests that they all enjoy, nothing is done. This is in addition to information bas ed on biology, economics, psychology and several other aspects of the social sciences. Under the original position therefore, the parties are then given several alternatives of the major conceptions of what justice is based on the common and customary usage of political and social philosophy and given the option to pick the best alternatives of the concept of justice that would be the best means of advancing their interests. These interests are those aspects that would then enable them to pursue their fundamental interests and final ends in the most effective manner. In the best possible justifiable scenario that while ensuring all their interests are catered for, it does not short change the individual member of the group (Rawls, 1999, p. 17). It is the contention of Rawls that it would be most rational for the parties involved in making these choices to select the two principles of justice. The first principle of justice guarantees individualââ¬â¢s basic rights and freedoms tha t are needed to ensure the security of the most basic interests of an individual who is free. It also allows citizens to equally pursue a broad range of conceptions that they consider to be good. The second principle of justice is more sociological. It provides equality in employment opportunities and education. In this way, individuals are enabled to compete at an equal level for the prerogatives and powers of any office. It also secures for everybody the minimum of the all-purpose means, this includes wealth and income that one would require in order to pursue their specific interests and to maintain their dignity as equal and free persons of the society in which they are in. The Original Position and Argument for Justice It should be noted that according to Rawls, the original position is not a situation that involves bargaining. This view does not contemplate that the parties will make proposals and counterproposals so as to negotiate the various principles of justice. It is als o no a free ranging discussion. The parties do not come up with their own constructions of what justice is. The fundamental basis of this position is that the deliberations that may exist between the members of the society are more constrained. They are actually given a specific list of the conceptions of justice that is based on the social and political philosophy of the West. While the list is not exclusive, its principles are basically
Saturday, February 1, 2020
Case study Essay Example | Topics and Well Written Essays - 750 words - 25
Case study - Essay Example It is also proposed that the company should run a customer reward system that will reward loyal members who have retained their membership till they are adults and loyal customers through discounts and giveaways and competitions. Since scouting is entirely an adventure experience, Scouts Canada should focus on trying to increase membership not only among boys but also girls, women and men too who are stressed and need to learn essential life skills. Because of the changing nature of the contemporary people, it is proposed that Scouts Canada should come up with new badge programs such as mountain biking, street sports, healthy eating and other issues that affect the country. The target membership of Scouts Canada is anticipated to increase by 30% with an increase in adult membership by 30%. This will allow the marketing team to know the success of the recommendations and offer feedback on which areas the company can improve on. Scouts Canada is a scouting organization in Canada known for its merit badges. The organization offers programs to the young people between the age of 5 and 25. The organization has the highest membership in Canada making it the largest youth organization in the country (Scouts Canada, 2014). The organization realized that its image was a bit worn because of the decline in membership and volunteer support. Because of the numerous cases of image tarnishing, Scouts Canada have to come up with a marketing strategy in order to reposition itself. Since Scouts Canadian membership goes at a high price of $205 for beaver to venture scouts and $180 for the first child, it is recommended that the membership price be discounted to $160 and $100 charged for the second and third child from a single parent. A reduction of the prices will encourage more parents to get involved in their childââ¬â¢s life and increase
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